Eastman acoustic guitars music and arts
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One physical consideration, though, especially with solidbody electrics, can be the weight of the body, which can vary depending on the type of wood used. For some players, the bigger dimensions can make this type of acoustic guitar more physically cumbersome to play.Įlectric body shapes: Electric guitars also come in many sizes and shapes, though this is a less important factor in choosing an electric guitar, since most of the sound comes from the guitar’s electronics. Large body shapes: Larger guitar shapes like the grand orchestra and jumbo produce a deeper sound that projects with more volume, low-end power, and overall sustain than a small-body guitar. Guitarists prize these instruments for their versatility, as their balance of clear high tones, a punchy midrange, and warm low end performs comfortably across many styles of music and playing environments. Medium body shapes: There are several mid-sized guitar shapes, the most prominent of which are the dreadnought and the Grand Auditorium, which Taylor developed and introduced to the music world in 1994. They often make a good choice for recording applications because their sound mixes clearly with other tracks without taking up too much sonic space. They also usually project an articulate sound with clear treble notes fewer overtones than a big-bodied guitar. Small body shapes: Small body shapes like concert guitars and parlor guitars provide a more physically comfortable playing experience and are popular among beginners and players of smaller stature. Shape is especially important for acoustic guitars, since the body must amplify the vibration of the strings without the aid of electronics (although a pickup can be added for amplified playing applications). Guitars come in many shapes and sizes, each designed to provide a different sound and feel for the player.
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Layered wood: Often used in the construction of electric and budget-friendly acoustic guitars, layered wood provides durability and structure at a lower price than solid wood. Typically, solid wood resonates better than layered wood and is usually found in high-quality instruments. Solid wood: When we say a piece of wood in a guitar is “solid,” we mean it consists of one piece of wood through its thickness, and is not layered together for strength or durability. A dense wood, it produces a clear, focused, often bright sound with a fast note decay. Maple: Used on both acoustic and electric guitars. It has a clear, focused sound with an emphasis on the midrange frequencies. Mahogany: Also commonly used for acoustic guitar backs and sides, and often necks. It produces a rich musical sound with a broad tonal range, from deep lows to sparkling highs. Rosewood: Often used for the back and sides of acoustic guitars. Its combination of rigidity and flexibility allows it to be set in motion easily by the vibrating strings and project a clear tone. Spruce: A popular choice for acoustic guitar tops. Some common woods used in guitars include: Each species has its own unique sonic and aesthetic qualities. Wood doesn’t just provide the structure of the guitar-it has a profound impact on the way the guitar sounds.